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History - Leonardo da Vinci - Mona Lisa
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Mona Lisa
Mona Lisa History: Leonardo da Vinci began painting the Mona Lisa in 1503 and, according to Vasari, completed it in four years.

Leonardo took the painting from Italy to France in 1516 when King François I invited the painter to work at the Clos Lucé near the king's castle in Amboise. The King bought the painting for 4,000 écus and kept it at Fontainebleau, where it remained until moved by Louis XIV.

It has for a long time been argued that after Leonardo's death the painting was cut down by having part of the panel at both sides removed. Originally there appear to have been columns on both sides of the figure, as can be seen in early copies.The edges of the bases can still be seen in the original. However, some art historians, such as Martin Kemp, argue that the painting has not been altered, and that the columns depicted in the copies were added by the copyists. The latter view was bolstered during 2004 and 2005 when an international team of 39 specialists undertook the most thorough scientific examination of the Mona Lisa yet undertaken. Beneath the frame (the current one was fitted to the Mona Lisa in 1906) there was discovered a "reserve" around all 4 edges of the panel. A reserve is an area of bare wood surrounding the gessoed and painted portion of the panel. That this is a genuine reserve, and not the result of removal of the gesso or paint is demonstrated by a raised edge still existing around the gesso, the result of build up from the edge of brush strokes at the edge of the gesso area.


The reserve area, which was likely to have been as much as 20mm originally appears to have been trimmed at some point probably to fit a frame (we know that the in the 1906 framing it was the frame itself which was trimmed, not the picture, so it must have been earlier), however at no point has any of Leonardo's actual paint been trimmed. Therefore the columns in early copies must be inventions of those artists, or copies of another (unknown) studio version of Mona Lisa. The round objects each side of the sill remain as mysterious as so much of this painting.

The Mona Lisa was stolen in 1911 from the Louvre. Suspects in the case were French poet Guillaume Apollinaire, who had once called for the Louvre to be "burnt down," and Pablo Picasso. Both were later released. It turned out that Louvre employee Vincenzo Peruggia hid in the museum at closing time and the next morning cut the painting from its frame and walked out the door with it hidden under his coat. The theft was planned by a con man who had commissioned an art forger to make copies of the painting that he could sell as the missing original. Because he decided he didn't need the original, he failed to contact Peruggia. After keeping the painting in his apartment for two years, Peruggia grew impatient. He was finally caught when he attempted to sell it to an art dealer. The Mona Lisa was returned to the Louvre.

In 1956, the lower part of the Mona Lisa was severely damaged by an acid attack. Several months later, someone threw a stone at it. It is now covered by security glass. In the 1960s and 70s, the Mona Lisa was exhibited in New York City and Washington DC as well as Tokyo and Moscow before returning to the Louvre Museum for good.

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